A Okay-pop act’s title monitor isn’t all the time the most effective track on their album, even when it’s the one most individuals will hear. Typically, b-sides deserve recognition too. Within the singles-oriented world of Okay-pop, I need to highlight a few of these buried treasures and provides them the props they deserve.
Treasure’s new mini album feels somewhat looser and livelier than regular. I like this facet of them – and of YG artists basically. Instantly following the EDM party-starter Hey, we have now a tough left flip into rock-fueled hip-hop. Sub-unit monitor VolKno is a tour de drive of the group’s skills, opening one other new avenue for his or her sound.
It’s onerous to not succumb to VolKno’s power. The guitars are turned as much as most degree, bringing heavy steel power. It’s good to listen to a hip-hop unit experiment with sounds and never merely revert to modern lure beats. There’s a many years lengthy historical past of those genres fusing collectively, and trendy Okay-pop itself started with the crunch of a guitar. VolKno hearkens again to this 90’s model – particularly throughout verse two when a retro synthline joins the fray. You can simply think about Search engine optimisation Taiji & Boys or H.O.T. performing a monitor like this.
As if VolKno’s depth weren’t thrilling sufficient by itself, the monitor strikes into double time for its pummeling finale. It’s not a very hooky monitor, however that’s not the purpose. This efficiency is all about power, and even in case you’re not an enormous fan of this style, you’ll be head-banging by the tip. Let’s file a title monitor on this style, subsequent!
